Frank Lloyd’s blog

Art, architecture and the people that I know.

For the Kids

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A lot of work goes into the preparation of an exhibit, as I noted in a post just a month ago.  For the gallery staff and myself, it’s a long process that includes researching the artist, selecting the work, assembling the preliminary checklist, writing the essay, planning the layout of the show, and dozens of other tasks. I wrote about the resources of the gallery, including the wondrous photographer Anthony Cunha, as well as our superb graphic designer Joe Molloy. It’s a group effort, and the team that we assembled over the last 16 years works almost seamlessly.

The rewards of the process are numerous. Certainly, the enterprise of a commercial gallery is dependent on patrons and collectors.  
And, of course we love to get all the reviews, articles and viewers that we can possibly attract.  But we’re really looking to set the record straight, and to present and document an exhibit for a future generation—for the new kids on the block who may not have any idea who Craig Kauffman is!  Or, for pretty much anyone who was not around  in the period of 1958 to 1964, when the works in Sensual/Mechanical were first made and shown. That means just about 95% of the audience. Few living people got to see these old Kauffmans the first time around.

Like any exhibit, another big reward is the reaction of kids. Any kids—from Craig’s oldest daughter (shown above with her friend) to little children in the arms of their parents. Young kids and young artists love this work—it’s fresh, colorful and pretty damn straightforward. The playful parts of Kauffman’s work have a simple, easy to understand graphic and comical take on…well, the playful parts of the body. My favorite comment from a kid was this week, who thought the work “looked like behinds.” That is so true. Perfect comment, and unadulterated!

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Written by Frank Lloyd

October 9, 2011 at 2:39 am

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