Archive for April 2014
Artist’s Estates are charged with the responsibility to protect the legacy, be caretakers of the artwork, and preserve the reputation of the artist. Estates, of course, come in many different sizes and forms—from the large and well-funded Warhol Foundation, to the smaller and penniless widows of the unrecognized. Reputations are placed in trust. I’ve had the sometimes sad—but necessary—task of working with family and friends of several artists after a death. There are the inevitable meetings with lawyers, accounting and record keeping, and there is a significant job of responding to the queries of museums, curators, and collectors. But in the digital age, there is another important position: the protection and presentation of the images and information online.
I’ve written about the prevalence of the internet in the art world before, and it’s something that continues to interest me. The online presence of a gallery or artist can make a big difference in how they are perceived, by the general public, students, critics, and museums. I’ve observed that the first step by many during a research project is to do a quick search on Google or Wikipedia. Unfortunately, it seems that not many people go beyond this cursory overview of a topic. That needs to change.
With that in mind, the Estate of Craig Kauffman, working with my gallery, has launched a new website: www.craigkauffman.com. It features images of artworks, a selected exhibition history, primary-source documents and a chronology to guide visitors through Kauffman’s life and work. It is our hope that this website will be a resource that helps people look beyond the mythology to see the broad scope of his career. We made use of extensive archival materials and interviews, to try—again—to set the record straight.