Craig Kauffman Conservation
I currently have on view an early drawing by Craig Kauffman that visitors are really responding to. From 1961, this drawing is one of a series of works on paper that Kauffman produced while he was traveling in Europe – to Copenhagen, Paris and Ibiza between 1959 and 1961. In Paris, Kauffman met the abstract artists Helen Frankenthaler and Robert Motherwell, as well as Darthea Speyer, who later became his Paris dealer. The works that he developed during this period reveal his continuing interest in Abstract Expressionism, coupled with an awareness of Japanese Zen sumi ink painting.
This piece, along with several others from the same timeframe, was included in the 2008 exhibition Craig Kauffman: A Retrospective of Drawings, at the Armory Center for the Arts, Pasadena. Kauffman carried these drawings with him during his travels, in several large portfolios, so they required some conservation before they were ready to be shown. For this task, I hired the late Victoria Blyth Hill, retired Director of the Los Angeles County Museum of Art’s Conservation Center, and longtime friend of the gallery. Her work on this project was everything I had hoped for, as she approached the pieces with sensitivity and expertise. With a “less is more” philosophy, the work was cleaned and stabilized, before being archivally framed to protect it against future damage.
Conservation is a major aspect of the Estate of Craig Kauffman’s responsibility to protect the legacy of the artist. Working with a team of selected conservators, we are trying to provide guidelines for the care and keeping of Kauffman’s work in all mediums. Given the diversity of his long career, this is a significant task, but one that is imperative if his work is to survive. The Estate of Craig Kauffman’s new website, www.craigkauffman.com, now has a conservation tab, where museums and private collectors can direct their conservation inquiries.