It’s in my blood
Lately I’ve been reflecting quite a bit. It’s something that’s probably due to age, but could also be related to my final review of an interview for the Archives of American Art (my interviewer was the marvelous Paul Karlstrom). One thing in that conversation really stands out: I have good reason for being passionate about arts education, verifiable research and educational publications. Those who follow this blog are well aware—maybe even weary—of those subjects.
Now, I think I’ve identified the sources: my mother and father. Back when I was growing up in South Pasadena, my father was the Publications Manager and Public Relations Director for California State University Los Angeles. It was in his office and in printing shops that I learned about editing, page layouts, typefaces and binding. He showed me how the annual college catalogue was produced, as well as how to write and distribute a press release.
My mother opened the door to another world, that of scientific research. She worked as a Research Librarian for the Stanford Research Institute, the world-class research organization (based in Menlo Park) with a branch in South Pasadena. I got to know scientists who were working on economic studies, agricultural experiments, and even (hush-hush) top-secret Defense Department-funded studies. I had special privileges, as my mother had great skills as a research librarian, but also phenomenal people skills.
My early exposure to the worlds of professional research and publication instilled high standards in me. I really believe in the importance of “setting the record straight,” because I’ve seen how easily incorrect information spreads across the internet and print media. It’s my responsibility as an arts professional to provide the public with well-researched and historically accurate materials that guide them to greater understanding of artists and their work.