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Posts Tagged ‘Centre Pompidou

Kauffman in Paris

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ckc0078I was talking to a Los Angeles dealer last week, and we recalled the European history for West Coast artists. So much has been forgotten, but the first wave of the West Coast to hit Europe was much stronger than you might imagine. It’s amazing to recall that artist Larry Bell had, very early in his career, one-man shows in London, (at the Robert Fraser Gallery in 1966); in Paris at the legendary Ileana Sonnabend (1967) and the following year (1968) Larry was included in Documenta IV at the Museum Fridericianum, Kassel.

For Craig Kauffman, a remarkable series of shows is recorded. The first time Kauffman showed in Paris was at the Musée d’Art Moderne de la Ville de Paris, with a group that represented the United States for the Cinquième Biennale de Paris. Organized by James Demetrion (who would eventually become the Director of the Hirschhorn museum), it was a selection of just four artists: Llyn Foulkes, Craig Kauffman, John McCracken and Ed Ruscha. It’s easy to see just how prescient those choices were, as each artist had a distinctive voice then, and each has become more significant in the present. Kauffman was represented by a series of 1967 vacuum-formed acrylic wall paintings, with a rounded double-lip protrusion in the center of a transparent colored relief.

Kauffman also had one-man shows with kauffman_galerie-darthea-speyer_announcement_1973Galerie Darthea Speyer,
in 1973 and 1976. Darthea Speyer (the sister of legendary Art Institute of Chicago Director James Speyer) was an established dealer in Paris, and someone who Kauffman had met on his second trip to Paris in 1959 to 1961 (Kauffman also lived in Paris, on Rue Git le Couer, in an apartment near the famed Beat Hotel). Darthea Speyer was very supportive and responsive to Kauffman’s work, and maintained an interest throughout her career. Works were placed in Parisian collections.

In 1977, Craig also showed at Fondation Nationale des Arts Graphiques et Plastiques, for the Biennale de Paris, Une Anthologie 1957-67. We’re researching this show, and will soon be including works exhibited in 1977 in our catalogue raisonne.

The more recent exhibits for Kauffman have both been at the Centre Pompidou. First, in 2006, was Los Angeles: 1955-1985, Birth of an Art Capital. Curated by Catherine Grenier, this was a large survey of the groundbreaking developments in Los Angeles during those 30 years, and the Pompidou reported that attendance broke all previous exhibition records. Kauffman attended the opening, along with many of the L. A. artists.

This year, Kauffman’s work was included in the Pompidou’s Beat Generation exhibit. Fittingly, the curators selected a 1962 painting on paper (and mounted on board) titled Git le Couer #3, bringing Kauffman’s past history with the City of Lights to a full circle. When Craig and his second wife lived on that Parisian street, I wonder if he could have imagined that his work would hang in a Parisian museum?

A French Connection

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Sometimes I look for unifying themes within the gallery’s exhibition program. It’s obvious that we specialize in contemporary ceramics, and we clearly favor a sense of place—the West Coast of the U.S. But what’s fascinating to me is that several of the gallery’s artists have a connection to France, and to French culture.

How? Let me explain.

Adrian Saxe was influenced, even early in his career, by Sèvres porcelain. He saw examples at the Huntington, when he was in his early twenties. Saxe was attracted to the soft-paste porcelain characteristic of the factory,as well as the inventive forms, delicate painting, and skillful gilding. Then, in 1983, Saxe was selected by Georges Jeanclos to be the first resident at the Atelier Experimental de Recherche et de Création de la Manufacture National de Sèvres. Saxe returned to Sèvres in 1987 for a second residency, where he continued his explorations of the factory’s traditional techniques and materials.

Craig Kauffman made many trips to Paris. His firstFKN275 copy was right after his graduation from UCLA’s master’s program in 1956. During his six month stay, Kauffman took classes at the Alliance Française and visited museums and galleries. He returned to Paris in 1959 to 1961, while also traveling to other cities including Copenhagen and Ibiza. During this more extended visit, Kauffman met Darthea Speyer, who would later become his Paris dealer. Kauffman went back to Paris in 1973 for a solo show at Galerie Darthea Speyer, and lived in a studio in the Cité Internationale des Arts through the fall of 1975. After spending the spring of 1976 in California, he returned to France, to work in his studio and exhibit new works at Galerie Darthea Speyer.

Bell Retro Nimes-64 copyThree years ago, Larry Bell was honored by the Carré d’Art de Nîmes with a very significant survey exhibition. Yet this is not the first time Bell’s work was shown, or collected, by the French. History shows that Larry Bell exhibited in France many times, including at the Galerie Ileana Sonnabend in 1967 and 1974, the Palais du Luxembourg in 1993, the Centre Pompidou in 2006, and the Galerie Daniel Templon in 2010. It’s interesting to note that Larry’s brother, a famed economist, maintains a residence in Paris.

The gallery has also shown a major French artist: FJS035_A copyGeorges Jeanclos. It was an honor to exhibit the work of such a renowned international artist on two occasions. His emotional work profoundly affected visitors, as the artist’s deft handling of his terra cotta materials evoked a powerful sense of the tragedy of human experience.